Some of my prints are now available for sale worldwide on Fine Art America. I will be adding more prints over time. The website will allow you to choose the print size, medium, framing, etc. The can be shipped anywhere.
To see and purchase the works, just follow this link.
Many works from other artists can be found by follwing these links:
I have recently had the honour of publishing an academic paper on the Antae Journal. Below is the abstract and a link to the page on Academia.edu where you can find the paper.
Photographs are available for sale directly as open edition pigment-on-paper prints, signed and dated. The images are printed on museum-quality fine art paper or dibond to order. To submit a request for quote, please contact us, submitting a link to the image or images required and including size, framing and shipping details.
I am constantly in search for that core element of being that ties everything together. The greatest curiosity I am afflicted by is about the self - who are we? where and how do we fit in with everything else? And after all, what is everything else?
Through my work, I have always tried to seek something that is beyond the physical. Some might call it the soul. Whatever it is, I have a belief that there is something ethereal that exists beyond the material, which is the source of emotion. I am not religious. Religion is something created by man to give a mass-explanation of the undefinable. Spirituality is a personal experience, and that is where my interest lies. Over the years, man has grown to trust his physical senses over anything else, since they provide a degree of certainty. For this reason, the physical appearance of images is often overpowering, particularly in photography, to the extent that it becomes very difficult to retain a pure emotional content in images, especially one that is not directly related to their identifiable contents. I am interested in investigating whether such emotional transfer can be retained from the original, first-hand experience, and passed on to the viewer via the medium of photography.
The era which most closely reflects these interests is the Modern period, particularly the expressionist and abstract expressionist movements. I see in this art the attempt to transfer pure emotion onto a physical medium, most commonly painting - the same aims I try to achieve through photography. My search for the beyond has also meant the need to shed many of the protections that are inevitably build over the years. What this has led to is a close relationship with my surroundings and a growing love for nature. This relationship has triggered a fascination with decay - I see it as a form of healing process from man’s often barbaric intervention on nature, and my work often focuses on extracting and materialising the beauty I see in this through observation and post production.
More recently, this love for nature has evolved towards the use of long exposures in order to capture movement, either mine or my subject’s, blurring or removing entirely physical characteristics from the image. By doing so, I introduce the element of time, expand the element of space and remove the element of detail. The viewer is therefore guided into seeing the images as a whole, rather than analysing them in detail as often happens with photographic images. The ultimate aim is to retain the sensation of a place or subject in general, rather than reproduce the appearance.
Our perception of reality is highly subjective. It is an individual experience shared by no-one else - an amalgamation of sensory perception and ever-changing emotional baggage. My work sits in between my reality and that of each other individual. Through the limitations of photography, I attempt to portray the way I perceive the world, and to an extent, condition others into steering towards it. Photography is the ideal medium to achieve this goal. It’s inevitable association with the real puts it into a unique position to be believed, even though at its most basic, an image is nothing more than an exercise in manipulation.
Sergio Muscat is an award winning artist working mostly within the photographic medium. His work is instinctive, sensitive and contemplative, focusing on a reality that is continuously changing through the evolution of nature and the intervention of mankind.
The “Portraits of Architecture” project was received with critical acclaim, and has earned him a Fellowship of the MIPP and SWPP. He has always stated that his “natural habitat” is on the street, observing the environment, society and the eternal battle between mankind and nature. This passion has hatched three ongoing projects – “7,000,000,000:1″ which tackles the increased individual isolation within a global society; “Recomposition”, a view of decay as the beautiful reclamation of nature’s territory; and most recently “Soul Searching”, an exploration of the self through abstract nature photography.
Sergio’s work has garnered various awards, including the “Press and PR photographer of the year award” from the SWPP in 2008 and multiple nominations in the International Masters Cup and the Black & White Spider Awards since 2009.
His work has been exhibited locally and overseas, and is found in private collections across Europe and the US.